DENUNCIATION IN AVES SIN NIDO: AN AESTHETIC EXPRESSION OF ETHNICAL AND GENDER VIOLENCE
This article aims to discuss and analyze the aesthetic expression of violence in the novel Aves sin nido (1889), written by Peruvian writer Clorinda Matto de Turner. For this purpose, we observe the social context in which the novel was written, the aesthetic representation of this context in the na...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade Federal da Bahia (UFBA) |
| Repositorio: | Revista Estudos Linguísticos e Literários (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.periodicos.ufba.br:article/54118 |
| Acceso en línea: | https://periodicos.ufba.br/index.php/estudos/article/view/54118 |
| Access Level: | acceso abierto |
| Palabra clave: | Literatura de denúncia Aves sin nido Violência étnica Violência de gênero Literature of denunciation Ethnical violence Gender violence |
| Sumario: | This article aims to discuss and analyze the aesthetic expression of violence in the novel Aves sin nido (1889), written by Peruvian writer Clorinda Matto de Turner. For this purpose, we observe the social context in which the novel was written, the aesthetic representation of this context in the narrative, and analyze two characters who are victims of the denounced violence, which is based on ethnicity (MORENO, 2004) and gender (BOGRAD, 1999). We investigate, above all, the narrative style of the novel, following the notion of representation established by Cornejo Polar (2021) of "showing, judging, explaining", examining the character Isidro Champí from the studies of Cornejo Polar (2021) and the character Marcela Yupanqui from Cunha (2018). |
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