Towards a situated reading of L’Urbanisme, utopies et réalités. Une anthologie (1965), organized by Françoise Choay
The present article is dedicated to undertaking a close reading of L’Urbanisme, utopies et réalités. Une anthologie (1965), organized by Françoise Choay. It seeks to situate this anthology within the intellectual trajectory of the author, as well as in the discursive, urban culture in which it was c...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Brasil |
| Institución: | Associação Nacional de Pós-graduação e Pesquisa em Planejamento Urbano e Regional (ANPUR) |
| Repositorio: | Revista Brasileira de Estudos Urbanos e Regionais (Online) |
| Idioma: | portugués inglés |
| OAI Identifier: | oai:ojs.rbeur.anpur.org.br:article/6458 |
| Acceso en línea: | https://rbeur.anpur.org.br/rbeur/article/view/6458 |
| Access Level: | acceso abierto |
| Palabra clave: | Urbanismo Françoise Choay Historiografia Biografia Intelectual Crítica Urbanism Historiography Intellectual Biography Critique |
| Sumario: | The present article is dedicated to undertaking a close reading of L’Urbanisme, utopies et réalités. Une anthologie (1965), organized by Françoise Choay. It seeks to situate this anthology within the intellectual trajectory of the author, as well as in the discursive, urban culture in which it was conceived and had it first distribution. In order to develop this work, the approach adopted was based on authors who study books as “practices and representations”, with particular emphasis on Roger Chartier. It has also been guided by the notion of "nebula", as conceived by Margareth da Silva Pereira. The article has been structured into three parts: in the first, the anthology is presented, especially, its introductory text; following on, situations are investigated in which it is possible to contemplate its conception process and how it was received; and, lastly, the findings are problematized by returning to a reading of the introduction to Françoise Choay’s anthology. |
|---|