Viagem pela heterodoxia
This article is focused on Triste trópico (1974), a film by Arthur Omar. A description of its composition urderlines the vertical montage which articulates image and sound following a principle of discontinuity, a disjunctive editing. This descriptive move is followed by an interpretation in which,...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2000 |
| País: | Brasil |
| Institución: | Universidade de São Paulo (USP) |
| Repositorio: | Significação (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:revistas.usp.br:article/90613 |
| Acceso en línea: | https://www.revistas.usp.br/significacao/article/view/90613 |
| Access Level: | acceso abierto |
| Palabra clave: | Cinema brasileiro Montagem Cinema experimental Viajantes Brazilian movie Montage Experimental movie Travellers |
| Sumario: | This article is focused on Triste trópico (1974), a film by Arthur Omar. A description of its composition urderlines the vertical montage which articulates image and sound following a principle of discontinuity, a disjunctive editing. This descriptive move is followed by an interpretation in which, together with this internal law of composition, intertextual relationships are taken as a fundamental component of the signifying processes engendered by the film. |
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