OSWALDO REYNOSO AND NARRACIÓN: REFLECTIONS ON THE NEW PERUVIAN NARRATIVE
There is a consensus among literary studies of a critical turn towards Latin American literary production, between 1960/70, which is associated with the New Narrative (Candido, 1981; González Vigil, 2008). We will reflect on how the new integrative perspective of literary production is articulated w...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade Federal da Bahia (UFBA) |
| Repositorio: | Revista Estudos Linguísticos e Literários (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.periodicos.ufba.br:article/52919 |
| Acceso en línea: | https://periodicos.ufba.br/index.php/estudos/article/view/52919 |
| Access Level: | acceso abierto |
| Palabra clave: | Literatura engajada Nova Narrativa Peruana Narración Oswaldo Reynoso Commited literature New Peruvian Narrative |
| Sumario: | There is a consensus among literary studies of a critical turn towards Latin American literary production, between 1960/70, which is associated with the New Narrative (Candido, 1981; González Vigil, 2008). We will reflect on how the new integrative perspective of literary production is articulated with New Peruvian narrative, based on Oswaldo Reynoso's participation in the creation of Narración group. The commited literature (Sartre, 1947) articulated with Narración magazine texts, which reflect the ideological debate proposed by the group, will be evaluated. The desire for an accessible literature that engages the reader to aknowledge the oppressions to which he is subjected is realized in the praxis of commitment, testimonial writing and in chronicle. However, the imposition of a single way to think about literary work implies limiting creative and subversive power of the arts. |
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