COR, ABSTRAÇÃO, MÚSICA: LEN LYE E O CINEMA SEM CÂMERA: LEN LYE E O CINEMA SEM CÂMERA
This paper deals with the beginning of the cinematographic career of Len Lye, precursor of film without camera.The text tells how the artist was deeply influenced by the South Pacific art, while incorporating modern art issues in his works. Thus it presents analysis of five of his films, focusing on...
| Autor: | |
|---|---|
| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Brasil |
| Recursos: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Pós (Universidade Federal de Minas Gerais. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/15789 |
| Acesso em linha: | https://periodicos.ufmg.br/index.php/revistapos/article/view/15789 |
| Access Level: | acceso abierto |
| Palavra-chave: | Len Lye filme sem câmera cinema em cores film without camera color cinema |
| Resumo: | This paper deals with the beginning of the cinematographic career of Len Lye, precursor of film without camera.The text tells how the artist was deeply influenced by the South Pacific art, while incorporating modern art issues in his works. Thus it presents analysis of five of his films, focusing on the artist as creator of a pure cinema, one made by rhythms and chromatic sensations. |
|---|