What can cinema do? History and politics in Cabra marcado para morrer (1984) by Eduardo Coutinho
This paper aims to analyze the documentary Cabra marcado para morrer (1984), by Eduardo Coutinho, in order to convene a debate about the power of cinema and its relationship with history and politics. Therefore, the text is divided into three moments. In the first section, there is an review of the...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Universidade de Brasília (UnB) |
| Repositorio: | Em Tempo de Histórias (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/34158 |
| Acceso en línea: | https://periodicos.unb.br/index.php/emtempos/article/view/34158 |
| Access Level: | acceso abierto |
| Palabra clave: | Eduardo Coutinho. Cabra marcado para morrer. História. Política. Eduardo Coutinho. Cabra marcado para morrer. History. Politics. |
| Sumario: | This paper aims to analyze the documentary Cabra marcado para morrer (1984), by Eduardo Coutinho, in order to convene a debate about the power of cinema and its relationship with history and politics. Therefore, the text is divided into three moments. In the first section, there is an review of the aesthetic and political project of the first filming of the narrative, which happened between 1962 and 1964 and was interrupted by the military coup of 1964. Then, the resumption of filming between 1981 and 1984 is outlined. Finally, we discuss the historical-political power of Cabra marcado para morrer (1984) by Eduardo Coutinho. |
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