O drama mítico-expressionista de Consuelo de Castro: uma análise de Marcha a Ré (1986)
The playwright Consuelo de Castro, throughout her trajectory in Brazilian theater, wrote several dramas that dialogue with the myths of classical antiquity -as is the case of Marcha a Ré (1986), a play that has a close relationship with the myth of Orpheus and Eurydice. Based on the assump...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Universidade Federal de Pernambuco (UFPE) |
| Repositorio: | Revista Investigações (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:oai.periodicos.ufpe.br:article/244454 |
| Acceso en línea: | https://periodicos.ufpe.br/revistas/INV/article/view/244454 |
| Access Level: | acceso abierto |
| Palabra clave: | myth expressionist theater Marcha a Ré Consuelo de Castro. mythe théâtre expressionniste mito teatro expressionista |
| Sumario: | The playwright Consuelo de Castro, throughout her trajectory in Brazilian theater, wrote several dramas that dialogue with the myths of classical antiquity -as is the case of Marcha a Ré (1986), a play that has a close relationship with the myth of Orpheus and Eurydice. Based on the assumption that this work is a subjective drama, due to its dramatic construction, since the unity of action is replaced by the unity of the Self, this article aims to analyze Marcha a Ré, taking into account the intrinsic relationship between the referred Greco-Roman myth and the expressionist theater. |
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