ON TERROR AND PERFORMANCE: GLIMPSES OF THE “BEYOND”
In this essay, Lúcia Fabrini de Almeida makes a critic presentation about the new book by Rustom Bharuscha, Terror and Performance, published from Tulika Books, at Nova Delhi. After a general presentation of the intentions of the publication, the author goes through referential stretches of the book...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Brasil |
| Institución: | Universidade Federal de Goiás (UFG) |
| Repositorio: | Arte da Cena |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistas.ufg.br:article/43682 |
| Acceso en línea: | https://revistas.ufg.br/artce/article/view/43682 |
| Access Level: | acceso abierto |
| Palabra clave: | Rustom Bharucha Terror Performativity Laura Rita Segato Body. Performaticidade Corpo. |
| Sumario: | In this essay, Lúcia Fabrini de Almeida makes a critic presentation about the new book by Rustom Bharuscha, Terror and Performance, published from Tulika Books, at Nova Delhi. After a general presentation of the intentions of the publication, the author goes through referential stretches of the book intertwining them with potent reflections based in her ideas and establishing important dialogues with texts of Laura Rita Segato. |
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