“Transporte aos quadradinhos”: The floor as an montage space in the artworks of Armanda Duarte
The article approaches a set of five installations of the artist Armanda Duarte. This reflection explores how the artist contrasts the ephemeral character of the works and the frailty of their materials with a geometric or mathematical rigor. The operations of measurement and displacement articulate...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Brasil |
| Institución: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositorio: | Palíndromo (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistas.udesc.br:article/9308 |
| Acceso en línea: | https://www.revistas.udesc.br/index.php/palindromo/article/view/9308 |
| Access Level: | acceso abierto |
| Palabra clave: | Contemporary Art Montage Collection Exhibition Installation Arte contemporânea Montagem Coleção Exposição Instalação |
| Sumario: | The article approaches a set of five installations of the artist Armanda Duarte. This reflection explores how the artist contrasts the ephemeral character of the works and the frailty of their materials with a geometric or mathematical rigor. The operations of measurement and displacement articulated at these artworks, as well as the the floor as a space for presentation, are issues addressed in this text, highlighting the vulnerability of this place and the adhesion to a reversible and open montage. The article places the belonging of Armanda Duarte´s installations to a private collection in deposit in the Serralves Museum of Contemporary Art, Portugal and their different exhibitions. |
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