Moulin Rouge (1952 and 2001): two styles of artistic direction
This article looks at artistic direction duas homonymous film entitled Moulin Rouge-filmed in chronologically distant historical periods: 1952 and 2001, which reflects in different styles of artistic direction. From the conceptualization of the artistic direction, we undertook a thematic analysis, o...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2009 |
| País: | Brasil |
| Institución: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repositorio: | Revista FAMECOS: Mídia cultura e tecnologia |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/6322 |
| Acceso en línea: | https://revistaseletronicas.pucrs.br/revistafamecos/article/view/6322 |
| Access Level: | acceso abierto |
| Palabra clave: | Artistic direction Moulin Rouge fashion Cinema Dirección artística moda Cine Direção de Arte |
| Sumario: | This article looks at artistic direction duas homonymous film entitled Moulin Rouge-filmed in chronologically distant historical periods: 1952 and 2001, which reflects in different styles of artistic direction. From the conceptualization of the artistic direction, we undertook a thematic analysis, of stylistic and expressive features, the wardrobe and scenery of both films. To this end, we discuss similarities and differences as representing society, the city of Paris, Moulin Rouge cabaret as well as the historical context that both films portray. |
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