The role of cartoneras publishers in the emergence and affirmation of black voices in the brazilian publishing scene
In this article, we investigate independent and handcrafted editorial production (particularly the cartonera edition), focusing on the trajectory of two small publishing houses created in brazilian peripheries in the second decade of the 21st century. We chose a corpus composed of the production of...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Brasil |
| Institución: | Universidade de São Paulo (USP) |
| Repositorio: | Caracol (São Paulo. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:revistas.usp.br:article/206881 |
| Acceso en línea: | https://www.revistas.usp.br/caracol/article/view/206881 |
| Access Level: | acceso abierto |
| Palabra clave: | Cartonera das Iaiá Ganesha Cartonera Mundo editorial Representação Assunção de voz Publishing world Representation Assumption of voice |
| Sumario: | In this article, we investigate independent and handcrafted editorial production (particularly the cartonera edition), focusing on the trajectory of two small publishing houses created in brazilian peripheries in the second decade of the 21st century. We chose a corpus composed of the production of these two cartoneras to interpret the impact of independent editions on the literary field. Starting from an empirical object, which is the experience of editors of books with cardboard covers, we formulate an interpretation of the cartonero phenomenon, focusing particularly on the question of who can and who cannot publish their writings, discussing editorial aspects based on a collection of data related to the trajectory of the two publishers, as well as the use of concepts and the analysis of the texts that integrate the catalogs of Cartonera das Iaiá and Ganesha Cartonera. We also studied black and female authorship in cartoneras, as well as the contribution of this editing technology in voice assumption processes. |
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