Poetic correspondence: the (non) verbal language in the series of video letters by Shuntar? Tanikawa and Shûji Terayama
This article presents a descriptive-reflexive analysis of the video letters series exchanged between Japanese artists Shuntar? Tanikawa and Shûji Terayama in 1982-1983. Through their interrelation between verbal and audiovisual resource, they accomplished one of the first experiences of the video le...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | Brasil |
| Institución: | Universidade Federal de Goiás (UFG) |
| Repositorio: | Visualidades (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistas.ufg.br:article/50121 |
| Acceso en línea: | https://revistas.ufg.br/VISUAL/article/view/50121 |
| Access Level: | acceso abierto |
| Palabra clave: | Video letter Video art Mail art Videocarta Videoarte Arte postal Vídeo-carta |
| Sumario: | This article presents a descriptive-reflexive analysis of the video letters series exchanged between Japanese artists Shuntar? Tanikawa and Shûji Terayama in 1982-1983. Through their interrelation between verbal and audiovisual resource, they accomplished one of the first experiences of the video letters genre, which overlaps communication but goes beyond it, as it composes a work of art in its entirety (a collaborative work, to a certain extent, and also as each video letter would depend of another as a response to be created). This case study is an example of the human necessity to form circuits, specially in the arts. |
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