007, Who Would Say, Ended in Bnei Brak: Cinema for Orthodox Jews
Films produced by ultra-orthodox Jews acquired in the early years of the 21st century an important space within their own communities. They reflect the relationship between the ultra-orthodox communities and the State of Israel and the Zionist ideology. Appropriating the Hollywood genre of action fi...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/23803 |
| Acceso en línea: | https://periodicos.ufmg.br/index.php/maaravi/article/view/23803 |
| Access Level: | acceso abierto |
| Palabra clave: | Judaísmo Ultraortodoxia Cinema Judaism Ultraortodoxy |
| Sumario: | Films produced by ultra-orthodox Jews acquired in the early years of the 21st century an important space within their own communities. They reflect the relationship between the ultra-orthodox communities and the State of Israel and the Zionist ideology. Appropriating the Hollywood genre of action films, even if within its walls, these films offer a visual alternative where the conflicting aspects and negotiations between such different sectors in Israeli society are discussed. In parallel, the narratives presented bring discussion about the ultra-orthodox male body, its imaginary place in Israeli society and the fantasies of transgression. |
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