Cinema audiences in Portugal between fun and decorum: the distinct appropriations of theatrical venues (1896-1924)
This study analyzes cinema audiences and their behavior in the exhibition spaces in the Portuguese district capitals, between 1896 and 1924. The focus emphasizes the practices of spectators during film sessions in order to evaluate the avoidance schemes to the discipline imposed by a growing industr...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Brasil |
| Institución: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repositorio: | Estudos Ibero-Americanos |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/22930 |
| Acceso en línea: | https://revistaseletronicas.pucrs.br/iberoamericana/article/view/22930 |
| Access Level: | acceso abierto |
| Palabra clave: | cinema audiences silent cinema Portugal publicos de cine cine mudo públicos de cinema cinema mudo Cinema |
| Sumario: | This study analyzes cinema audiences and their behavior in the exhibition spaces in the Portuguese district capitals, between 1896 and 1924. The focus emphasizes the practices of spectators during film sessions in order to evaluate the avoidance schemes to the discipline imposed by a growing industry. Moment characterized by the spread and consolidation of cinema among leisure activities, film screenings gathered together the most diverse social groups in large or small towns, emerging as a very popular show. From the press was possible to evaluate the appropriation of projection rooms by spectators, which significantly differed from mutations in film and their spaces during that period. |
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