From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thought
The article aims to suggest a significant paradigm shift taking place whitin one of the most influential theoretical models in the role of contemporary aesthetic productions and debates, namely, the notion of “relational aesthetics”, as it was conceived by the theorist and french curator Nicolas Bou...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositorio: | Palíndromo (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistas.udesc.br:article/22155 |
| Acceso en línea: | https://www.revistas.udesc.br/index.php/palindromo/article/view/22155 |
| Access Level: | acceso abierto |
| Palabra clave: | Estética relacional Radicante Antropoceno Nicolas Bourriaud Estética Arte Contemporânea Antropologia Esthéthique relationnelle Radicant Anthropocène |
| Sumario: | The article aims to suggest a significant paradigm shift taking place whitin one of the most influential theoretical models in the role of contemporary aesthetic productions and debates, namely, the notion of “relational aesthetics”, as it was conceived by the theorist and french curator Nicolas Bourriaud. It shows how in the last exhibitions curated by Bourriaud, the Anthropocene theme, that is, the new geological era in which humanity would be entering, gains a fundamental hegemony in artistic productions and aesthetic debates, and demands an expressive revision of central postulates for the consolidation of such relational aesthetics, especially with regard to the primacy of inter-human relations and the question of accelerating radicant flows. |
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