Brazil in Movie Time as film analysis method of Jean-Claude Bernardet
Written at the height of the New Cinema phenomenon, Brazil in Movie Time (1967) of Jean-Claude Bernardet was the first movement analysis work. Pioneer in the criticism to the national popular culture, the book becomes mandatory piece for directors discussion and a theoretical reference of Brazilian...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Brasil |
| Institución: | Associação Nacional dos Programas de Pós-Graduação em Comunicação |
| Repositorio: | E-Compós |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.www.e-compos.org.br:article/1299 |
| Acceso en línea: | https://www.e-compos.org.br/e-compos/article/view/1299 |
| Access Level: | acceso abierto |
| Palabra clave: | Jean-Claude Bernardet cinema novo imprensa alternativa |
| Sumario: | Written at the height of the New Cinema phenomenon, Brazil in Movie Time (1967) of Jean-Claude Bernardet was the first movement analysis work. Pioneer in the criticism to the national popular culture, the book becomes mandatory piece for directors discussion and a theoretical reference of Brazilian cinema analysis for critics. The article evaluates the filmic analysis method developed by Bernardet from its dialogue with the sociology of worldviews and the materialist critique to give an overview of the evolution of these concepts in critics at the seventies. |
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