Quem mexeu no meu texto? observações sobre literatura e sua adaptação para outros suportes textuais
The development in recent years of different media formats has boosted the consumption of narratives, generating a ‘narrative hunger’. Audiences have increasingly looked forward to absorb new and old narratives, and ‘adaptation’ has become a key operational concept to describe processes involved in...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2010 |
| País: | Brasil |
| Institución: | Universidade Estadual Paulista (UNESP) |
| Repositorio: | Repositório Institucional da UNESP |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.unesp.br:11449/122303 |
| Acceso en línea: | http://www.abralic.org.br/revista/?n=16 http://hdl.handle.net/11449/122303 |
| Access Level: | acceso abierto |
| Palabra clave: | adaptação cinema narratologia narrativas não canônicas transmidialidade adaptation transmedial narratology noncanonic narratives |
| Sumario: | The development in recent years of different media formats has boosted the consumption of narratives, generating a ‘narrative hunger’. Audiences have increasingly looked forward to absorb new and old narratives, and ‘adaptation’ has become a key operational concept to describe processes involved in the transformation of texts. Thus, our discussion will be centered around a few theoretical propositions on adaptation and appropriation in various textual architectures. Although relevant to the debate, literary canonical texts will not be the primary focus. Non-canonical texts will be used to re-visit concepts such as narrativization, intertextuality and transmediality and also to elaborate some ideas on interactivity and multimedia crossover. |
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