The Roda de Choro musical and social analysis based on John Blacking ́s concept of musical order
The Roda de Choro offers a rich environment in order to analyze the musical context of performance and the social context which nourishes the musical relations. This article aims at analyzing the relationship of both musical and social contexts according to the concept of musical order established b...
| Autores: | , , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2011 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Per Musi |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/42652 |
| Acceso en línea: | https://periodicos.ufmg.br/index.php/permusi/article/view/42652 |
| Access Level: | acceso abierto |
| Palabra clave: | Brazilian choro Roda de choro Ethnomusicology John Blacking Choro Etnomusicologia Circulo de choro Etnomusicología |
| Sumario: | The Roda de Choro offers a rich environment in order to analyze the musical context of performance and the social context which nourishes the musical relations. This article aims at analyzing the relationship of both musical and social contexts according to the concept of musical order established by John Blacking (1995), who argues that “music cannot exist without the perception of order that organizes sound”. |
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