Afro-Atlantic Aesthetic Ideas and Decoloniality: A case study by Jean-Michel Basquiat
Starting from the formulation of a concept for “aesthetic principles”, this article studies the proposition of the African-American artist Jean-Michel Basquiat (1960-1988) - expressed, in his own words, in the strategy of “attacking the circuit of galleries at that time”- to transpose political-terr...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Universidade de Brasília (UnB) |
| Repositorio: | Em Tempo de Histórias (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/31249 |
| Acceso en línea: | https://periodicos.unb.br/index.php/emtempos/article/view/31249 |
| Access Level: | acceso abierto |
| Palabra clave: | Ideários Estéticos; Basquiat; Decolonialidade; Racismo. Aesthetic Principles. Basquiat. Decoloniality. |
| Sumario: | Starting from the formulation of a concept for “aesthetic principles”, this article studies the proposition of the African-American artist Jean-Michel Basquiat (1960-1988) - expressed, in his own words, in the strategy of “attacking the circuit of galleries at that time”- to transpose political-territorial limits of a hegemonically white artistic field and inscribe his art through aesthetic signs that challenge the Eurocentric identity agencies that confer blackout, invisibility and primitivism to Afro-Atlantic artistic legacies. |
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