Symbolic figurations and ideological discourse in Barranco de cegos, by Alves Redol
This paper undertakes to analyze Barranco de cegos, by Alves Redol, in order to affirm the importance of this literary work in the Portuguese literary Neorealism. It is intended to demonstrate the current approach of some of his principal axiological senses. It is a problematization of symbolic figu...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2012 |
| País: | Brasil |
| Institución: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repositorio: | Letras de Hoje (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/12770 |
| Acceso en línea: | https://revistaseletronicas.pucrs.br/fale/article/view/12770 |
| Access Level: | acceso abierto |
| Palabra clave: | History/Literature Ideology Utopia Portuguese contemporary novel História/Literatura Ideologia Romance português contemporâneo |
| Sumario: | This paper undertakes to analyze Barranco de cegos, by Alves Redol, in order to affirm the importance of this literary work in the Portuguese literary Neorealism. It is intended to demonstrate the current approach of some of his principal axiological senses. It is a problematization of symbolic figurations and the ideological discourse constituted by certain narrative strategies put into action in the novel. It is considered the network between History with literary fiction, as well the relations between ideology and utopia, phenomenon constituded of social imaginary, according to thought of Paul Ricoeur. |
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