Une Saison en Enfer: modernidade e satanismo na obra de Arthur Rimbaud
This work intends to study Une Saison en Enfer, by the French poet Jean-Nicolas Arthur Rimbaud (1854-1891). In the work, the poet descends to the underworld - where a long season passes - and, when leaving, brings out the artistic and personal experiences of this period. The journey to the underworl...
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| Tipo de recurso: | tesis de maestría |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Brasil |
| Institución: | Universidade Estadual Paulista (UNESP) |
| Repositorio: | Repositório Institucional da UNESP |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.unesp.br:11449/151129 |
| Acceso en línea: | http://hdl.handle.net/11449/151129 |
| Access Level: | acceso abierto |
| Palabra clave: | Rimbaud Une Saison en Enfer Modernidade Mito Satanismo |
| Sumario: | This work intends to study Une Saison en Enfer, by the French poet Jean-Nicolas Arthur Rimbaud (1854-1891). In the work, the poet descends to the underworld - where a long season passes - and, when leaving, brings out the artistic and personal experiences of this period. The journey to the underworld is, in this sense, a dive in itself, analogous to the process of interiorization and self-knowledge, expressed in the famous "Letters of the Seer" of May 1871. In these letters, in which Rimbaud develops all his poetic theory, The young man creates a unique method that aims at escaping from the real world and breaking away from the aesthetic standards of his time. In this sense, the satanic theme of Une Saison en Enfer stands in perfect harmony with the rimbaudian project of Videncia, since it reveals the double movement of the artist's transgression: on the one hand, his revolt against bourgeois society and, on the other, his Desire to change the course of poetry. Therefore, our proposal aims to link Une Saison en Enfer with Rimbaud's aesthetic theory - in conjunction with Modernity of the 19th century - and then to analyze the mythic-satanic theme of the work as realization of the author's modern presuppositions. |
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