From the trottoir to the poet's boudoir: outbreak of senses and corporal cartographies in transit about Néstor Perlongher
The present article aims to discuss elements present in the poetic production of the Argentine writer Néstor Osvaldo Perlongher, focusing specifically on the works Hule (1989) and El chorreo de las iluminaciones (1992). We are interested in considering the formal composition of the texts, derived fr...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Brasil |
| Institución: | Universidade Estadual de Mato Grosso do Sul (UEMS) |
| Repositorio: | REVELL : Revista de Estudos Literários da UEMS |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/7172 |
| Acceso en línea: | https://periodicosonline.uems.br/index.php/REV/article/view/7172 |
| Access Level: | acceso abierto |
| Palabra clave: | Argentine Literature Poetry Military Dictatorship Néstor Perlongher Literatura Argentina Poesia Ditadira Militar |
| Sumario: | The present article aims to discuss elements present in the poetic production of the Argentine writer Néstor Osvaldo Perlongher, focusing specifically on the works Hule (1989) and El chorreo de las iluminaciones (1992). We are interested in considering the formal composition of the texts, derived from the neobarrosa aesthetics and carried out by the poet in his literary production, as well as political and social issues embodied in the author's style. Furthermore, the influence of the order of biographical aspects that had an impact on the development of his writing will be considered, given his participation as the founder of the Frente de Liberación Homosexual Argentina (F.L.H) and his involuntary exile experienced during Argentine's last dictatorial regime at the end of the 1970s. |
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