Clues of silence
In this textual theater, we reflect on silence in three acts: 1. we consider the significance of silence, starting from Orlandi and in comparison with other authors; 2. we analyze the editorial of Lampião da esquina, to understand how the “self” of homosexual subjects is spoken in relation to the gh...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | Brasil |
| Institución: | Universidade Estadual de Campinas (Unicamp) |
| Repositorio: | Rua (Campinas. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.periodicos.sbu.unicamp.br:article/8655725 |
| Acceso en línea: | https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8655725 |
| Access Level: | acceso abierto |
| Palabra clave: | Urban speech Censorship Ghetto Auscultation. Discurso urbano Censura Gueto Ausculta. |
| Sumario: | In this textual theater, we reflect on silence in three acts: 1. we consider the significance of silence, starting from Orlandi and in comparison with other authors; 2. we analyze the editorial of Lampião da esquina, to understand how the “self” of homosexual subjects is spoken in relation to the ghetto and how this saying constitutes resistance to moral censorship imposed by the frothy language of the military dictatorship; 3. we evoke the significance of trace in Ricoeur and the auscultation in Heidegger, to speculate on analytical listening in relation to the temporality of silence. For us, silence can be interpreted as the third margin of Lethe River (Ideology), in relation to the material basis of the language (first margin), in which the discursive processes occur (second margin). |
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