Vocal Resonances and Sound Memory in Helen Brown
The paper focuses on aspects related to the intensification of the uses of the voice and the musical sonority proposed by Trinidad Piriz and Daniel Marabolí on Helen Brown (2013). Rendering an account of a theoretical framework that questions the referential dimension in which theatre is often analy...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Brasileira de Estudos da Presença |
| Idioma: | español |
| OAI Identifier: | oai:seer.ufrgs.br:article/64273 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/presenca/article/view/64273 |
| Access Level: | acceso abierto |
| Palabra clave: | Voices Memory Sound Helen Brown Performance Analysis Voces Memoria Sonoridad Análisis Escénico Voix Mémoire Sonorité Analyse Scénique |
| Sumario: | The paper focuses on aspects related to the intensification of the uses of the voice and the musical sonority proposed by Trinidad Piriz and Daniel Marabolí on Helen Brown (2013). Rendering an account of a theoretical framework that questions the referential dimension in which theatre is often analyzed and proposing a phenomenological approach that accounts for the performative materiality encouraged to strengthen the resonance of the voice and the audibility of the sound, the essay analyzes two scenes or tracks in which the body undertakes the memory of the viewers involved in the scenic performance. |
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