Torture re-staged as denunciation:
This article aims to interpret, from the perspective of visual anthropology, the documentary films “Brazil, a report on torture” and “No es hora de llorar”. Both productions were made in Chile in 1971, but address and, above all, stage the torture suffered by Brazilian militants during the military...
| Autor: | |
|---|---|
| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Recursos: | Universidade Federal de Mato Grosso do Sul (UFMS) |
| Repositorio: | Albuquerque (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufms.br:article/15270 |
| Acesso em linha: | https://periodicos.ufms.br/index.php/AlbRHis/article/view/15270 |
| Access Level: | acceso abierto |
| Palavra-chave: | visual anthropology; documentary; torture; military dictatorship antropologia visual; documentário; tortura; ditadura militar. |
| Resumo: | This article aims to interpret, from the perspective of visual anthropology, the documentary films “Brazil, a report on torture” and “No es hora de llorar”. Both productions were made in Chile in 1971, but address and, above all, stage the torture suffered by Brazilian militants during the military dictatorship (1964-1985). Thus, through the description of the film sequences in which there are such scenes, we intend to highlight some effects of meaning, indications of a culture, society and a time in which the practice of torture was institutionalized. |
|---|