As fotografias de natureza morta do século XIX e a estética do cotidiano
This work investigates links between everyday aesthetics and still life pictures from the first decades after the invention of photography in the nineteenthcentury. Understanding this subject as an element of intertwinement between Rancière’s theoretical regimes of art – ethical, representational an...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Brasil |
| Institución: | Universidade Federal de Pernambuco (UFPE) |
| Repositorio: | Perspectiva Filosófica (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:oai.periodicos.ufpe.br:article/230355 |
| Acceso en línea: | https://periodicos.ufpe.br/revistas/perspectivafilosofica/article/view/230355 |
| Access Level: | acceso abierto |
| Palabra clave: | still life everyday aesthetics aesthetic regime natureza morta estética do cotidiano regime estético |
| Sumario: | This work investigates links between everyday aesthetics and still life pictures from the first decades after the invention of photography in the nineteenthcentury. Understanding this subject as an element of intertwinement between Rancière’s theoretical regimes of art – ethical, representational and, especially, aesthetic –, we plan to reveal the uprising of a visual culture that goes on making objects from the daily routine protagonists of the new forms of aesthetic expressions that appear alongside modernity. |
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