Euritmie immaginifiche. Iconodulia e iconoclastia in Andrea Emo
The article explores the theme of artistic creation in the philosophy of Andrea Emo, starting from the problem of writing. Heir of Giovanni Gentile’s idealism, Emo considers writing an inexhaustible activity of recreation of the same, in which the distinction between subject and object vanishes, and...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | Brasil |
| Institución: | Universidade Federal de São Paulo (UNIFESP) |
| Repositorio: | Repositório Institucional da UNIFESP |
| Idioma: | italiano |
| OAI Identifier: | oai:repositorio.unifesp.br:11600/61504 |
| Acceso en línea: | https://www.mulino.it/riviste/issn/2039-6635 https://repositorio.unifesp.br/handle/11600/61504 |
| Access Level: | acceso abierto |
| Palabra clave: | Andrea Emo, Italian Idealism, Italian Thought, aesthetics, writing |
| Sumario: | The article explores the theme of artistic creation in the philosophy of Andrea Emo, starting from the problem of writing. Heir of Giovanni Gentile’s idealism, Emo considers writing an inexhaustible activity of recreation of the same, in which the distinction between subject and object vanishes, and the reproducibility of artwork is impossible. Emo’s philosophy sacralises life and thinking as writing, forging a sublime pan-aesthetic logic. |
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