Consumo e experiência estética: duas leituras de Kid A, do Radiohead
Consumption and aesthetic appreciation coexist in the radiophonic repertoire. The demand for entertainment stresses the sensory and immediate, whereas the labor over language occasionally entails reflexivity and formal conscience. Among different perspectives regarding the music mediated by the cult...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Recursos: | Universidade Federal de Goiás (UFG) |
| Repositorio: | Revista Música Hodie (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistas.ufg.br:article/67664 |
| Acesso em linha: | https://revistas.ufg.br/musica/article/view/67664 |
| Access Level: | acceso abierto |
| Palavra-chave: | Musical Aesthetics Culture Industry Radiophonic Music Radiohead Kid A Lapse Aesthetics Estética musical Indústria Cultural Música Radiofônica Estética do Lapso |
| Resumo: | Consumption and aesthetic appreciation coexist in the radiophonic repertoire. The demand for entertainment stresses the sensory and immediate, whereas the labor over language occasionally entails reflexivity and formal conscience. Among different perspectives regarding the music mediated by the culture industry, I present two divergent readings of the Radiohead album Kid A, standing for listening practices that vary from resolute adherence to cultural consumption to traces of musical hermeneutics. Relying on the thought of Theodor Adorno, I discuss how this problem ends up reduced to the poles of commodification and aesthetic expression. Eventually, I make appointments towards a lapse aesthetics grounded in concepts by Vilém Flusser. |
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