En torno a la composición de tres cuentos fantásticos de José María Merino
In this article, we undertake the reading of three fantasy short stories of the Spanish writer José María Merino by means of the theoretical propositions of Michel Lord and Juan Herrero Cecilia. These propositions attempt to elucidate the composition of the fantasy narrative delimiting a set of phas...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2014 |
| País: | Brasil |
| Institución: | Universidade Estadual Paulista (UNESP) |
| Repositorio: | Repositório Institucional da UNESP |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.unesp.br:11449/122613 |
| Acceso en línea: | http://www.olhodagua.ibilce.unesp.br/index.php/Olhodagua/article/view/247 http://hdl.handle.net/11449/122613 |
| Access Level: | acceso abierto |
| Palabra clave: | Fantasy Literature José María Merino Short story Spanish Literature |
| Sumario: | In this article, we undertake the reading of three fantasy short stories of the Spanish writer José María Merino by means of the theoretical propositions of Michel Lord and Juan Herrero Cecilia. These propositions attempt to elucidate the composition of the fantasy narrative delimiting a set of phases. This model applied to fantasy narrative arises from the perspective of Jean-Michel Adam on the composition of narrative texts in general. |
|---|