The drama in telejournalism
In the first place, the reporter needs the recourse of concentration, essential above all in the theater, so that such "extras" do not interfere with speech. Secondly, these "extras" can not, of course, draw attention to themselves, much less pass in front of the camera. All this...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2008 |
| País: | Brasil |
| Institución: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repositorio: | Revista FAMECOS: Mídia cultura e tecnologia |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/2991 |
| Acceso en línea: | https://revistaseletronicas.pucrs.br/revistafamecos/article/view/2991 |
| Access Level: | acceso abierto |
| Palabra clave: | Communication telejournalism dramatization Telejournalism Comunicação telejornalismo dramatização Telejornalismo |
| Sumario: | In the first place, the reporter needs the recourse of concentration, essential above all in the theater, so that such "extras" do not interfere with speech. Secondly, these "extras" can not, of course, draw attention to themselves, much less pass in front of the camera. All this is necessary so that the bulletin, also called passage or stand-up, is composed in such a way to contribute to the "plot" of the report. |
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