Sentinelas poéticas: os elefantes de Drummond, Alvim e Chacal
This article aims to analyze the intertextuality, the dimension of passion, the modal existence of the paternal subjects, enunciators of the poems "The Elephant" (1945), by Carlos Drummond de Andrade, "Elephant" (2000), by Francisco Alvim and "Sentinel" (2005), by Chaca...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2011 |
| País: | Brasil |
| Institución: | Universidade Estadual Paulista (UNESP) |
| Repositorio: | Repositório Institucional da UNESP |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.unesp.br:11449/125358 |
| Acceso en línea: | http://seer.fclar.unesp.br/casa/article/view/4717/4013 http://hdl.handle.net/11449/125358 |
| Access Level: | acceso abierto |
| Palabra clave: | Passions’s enunciation Intertextuality Carlos Drummond de Andrade Francisco Alvim Chacal Enunciação passional Intertextualidade |
| Sumario: | This article aims to analyze the intertextuality, the dimension of passion, the modal existence of the paternal subjects, enunciators of the poems "The Elephant" (1945), by Carlos Drummond de Andrade, "Elephant" (2000), by Francisco Alvim and "Sentinel" (2005), by Chacal. |
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