A relação sujeito-objeto na Estética de Georg Lukács: reformulação e desfecho de um projeto interrompido
The aim of this paper is to identify and show the categorical center of the Hungarian philosopher Georg Lukács´ late Aesthetic. For such purpose, will be recover his early work, especially, his unfinished manuscript of aesthetics written in Heidelberg at the period of 1912-1918. The Marxist Aestheti...
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| Tipo de recurso: | tesis doctoral |
| Estado: | Versión publicada |
| Fecha de publicación: | 2010 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Repositório Institucional da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/ARBZ-85KH2Z |
| Acceso en línea: | http://hdl.handle.net/1843/ARBZ-85KH2Z |
| Access Level: | acceso abierto |
| Palabra clave: | Neokantismo Hegel Relação sujeito-objeto Lukács Marxismo Estética Filosofia marxista Estetica Filosofia Lukacs, Gyorgy, Estética Hegel, Georg Wilhelm Friedrich, 1770-1831 |
| Sumario: | The aim of this paper is to identify and show the categorical center of the Hungarian philosopher Georg Lukács´ late Aesthetic. For such purpose, will be recover his early work, especially, his unfinished manuscript of aesthetics written in Heidelberg at the period of 1912-1918. The Marxist Aesthetics is seen and inquired at as a reformulation andconclusion of the interrupted Heidelberg project. In fact, both aesthetics try to determine the autonomy of art as a kind of a subject-object identity. But if in the former Lukács searches to transplant this Hegelian principle to the context of the neo-Kantian philosophy (strongly influenced by Lask), in the latter the transplantation is accomplished on materialistic ground (Marx) against the transcendental dualism of the past. As a result,genetics and interactive relations are produced between the realm of daily life and the normative realm of art. |
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