Programmed Nature: The Intermediality between the Episode “Autofac” and Philip K. Dick’s Homonymous Short Story
This article investigates the processes of media transposition within the dystopian genre, using as a case study the episode “Autofac” from the series Electric Dreams (2018), an Amazon Prime Video production based on the short story of the same name by Philip K. Dick, published in Electric Dreams (1...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2025 |
| País: | Brasil |
| Institución: | Universidade de Santa Cruz do Sul (UNISC) |
| Repositorio: | Rizoma (Santa Cruz do Sul) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.online.unisc.br:article/20381 |
| Acceso en línea: | https://seer.unisc.br/index.php/rizoma/article/view/20381 |
| Access Level: | acceso abierto |
| Palabra clave: | identidade distopia intermidialidade identity dystopia intermediality identidad distopía intermedialidad |
| Sumario: | This article investigates the processes of media transposition within the dystopian genre, using as a case study the episode “Autofac” from the series Electric Dreams (2018), an Amazon Prime Video production based on the short story of the same name by Philip K. Dick, published in Electric Dreams (1955). The study is grounded in Irina O. Rajewsky’s concepts on such processes and examines the distortion of nature — both human and environmental — present in the adaptation. |
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