Performative image in traces of presence
To pproach dance and sculpture as performative agents in video creation, the subject of this article, becomes a hybrid exercise as the thought and practice of performance, experienced by me filming the encounter of my own shadow with Hellenic remains, not categorized as a moment, trace of presence o...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Brasil |
| Institución: | Universidade Estadual de Campinas (UNICAMP) |
| Repositorio: | Conceição/Conception |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.periodicos.sbu.unicamp.br:article/8669349 |
| Acceso en línea: | https://periodicos.sbu.unicamp.br/ojs/index.php/conce/article/view/8669349 |
| Access Level: | acceso abierto |
| Palabra clave: | Performance Cuerpo Migración Corpo Migração Body Migration |
| Sumario: | To pproach dance and sculpture as performative agents in video creation, the subject of this article, becomes a hybrid exercise as the thought and practice of performance, experienced by me filming the encounter of my own shadow with Hellenic remains, not categorized as a moment, trace of presence or mineral trace, but as a sculptural object that keeps a memory triggered by me, in my intention to make it an agent object of my work. This encounter of languages and image creation experience from the triggering of the encounter of my body with others of other natures also discusses the perception of work as intention, and displacement. Key words: feminine; visibility; image; multimedia. |
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