The Schopenhauer's metaphysical love in “Tristan und Isolde” by Richard Wagner
This article aims to summarize the metaphysics of love and death in the drama Tristan und Isolde by Richard Wagner. Through some quotes from the works of the philosopher Schopenhauer, it is possible to verify that Wagner made use of philosophy to finish his drama, is the staging, in the libretto, or...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2013 |
| País: | Brasil |
| Institución: | Universidade Federal de Santa Maria (UFSM) |
| Repositorio: | Voluntas - Revista Internacional de Filosofia (Santa Maria) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/34103 |
| Acceso en línea: | https://periodicos.ufsm.br/voluntas/article/view/34103 |
| Access Level: | acceso abierto |
| Palabra clave: | Music Metaphysics Drama Música Metafísica |
| Sumario: | This article aims to summarize the metaphysics of love and death in the drama Tristan und Isolde by Richard Wagner. Through some quotes from the works of the philosopher Schopenhauer, it is possible to verify that Wagner made use of philosophy to finish his drama, is the staging, in the libretto, or in their texts. |
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