Intertextualidad y dialogismo en la obra autobiográfica de Jorge Semprún: la escritura del yo como diálogo con el otro
This paper analyzes the construction of Jorge Semprún’s autobiographical discourse. We consider his literary work always arises as a response to the word of others; as a dialogue with otherness. In a materialization of the Bakhtinian conception of verbal creation, each statement comes in response to...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2015 |
| País: | Brasil |
| Institución: | Universidade de São Paulo (USP) |
| Repositorio: | Caracol (São Paulo. Online) |
| Idioma: | español |
| OAI Identifier: | oai:revistas.usp.br:article/106865 |
| Acceso en línea: | https://www.revistas.usp.br/caracol/article/view/106865 |
| Access Level: | acceso abierto |
| Palabra clave: | Jorge Semprún autobiografía intertextualidad intersubjetividad campos de concentración autobiography intertextuality intersubjectivity concentration camps |
| Sumario: | This paper analyzes the construction of Jorge Semprún’s autobiographical discourse. We consider his literary work always arises as a response to the word of others; as a dialogue with otherness. In a materialization of the Bakhtinian conception of verbal creation, each statement comes in response to a previous statement, as a link that weaves an infinite dialogue. Despite his autobiographical matrix, writing develops as a constant shift towards otherness and advances through quotes, philosophical discussions and literary references. This will lead us to discuss the role poetic recitation plays in narrating the experience in a concentration camp, as well as the sense of intertextuality in Semprún's work. Finally, we will see how the redefinition of textuality in terms of intertextuality comprehends a redefinition of identity in intersubjective terms. |
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