Invisible, visible: The Representation of the Immaterial in the Works Questions and Popular Poetics by Abigail Reyes
This paper includes preliminary analysis of the artworks Questions (2021) and Poéticas populares (2016-2021) by the Salvadoran artist Abigail Reyes. The objective of the paper is to analyze the relationships of the works with the urban space, be it in the American or Latin American context, and its...
| Autor: | |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Pós (Universidade Federal de Minas Gerais. Online) |
| Idioma: | español |
| OAI Identifier: | oai:periodicos.ufmg.br:article/45501 |
| Acceso en línea: | https://periodicos.ufmg.br/index.php/revistapos/article/view/45501 |
| Access Level: | acceso abierto |
| Palabra clave: | Abigail Reyes Arte público Desterritorialización. Memoria colectiva. Palabra Escrita Arte pública Palavra escrita Memória coletiva Desterritorialização Public art Written word Collective memory Deterritorialization |
| Sumario: | This paper includes preliminary analysis of the artworks Questions (2021) and Poéticas populares (2016-2021) by the Salvadoran artist Abigail Reyes. The objective of the paper is to analyze the relationships of the works with the urban space, be it in the American or Latin American context, and its reverberations in the collective memory and in the understanding of the territory and the social fabric. For this, Questions (2021) and Poéticas populares (2016-2021) will be described probably from the records of the same and fragments of interviews with the artist. In turn, the works are analyzed in the light of decolonial studies with authors such as Adolfo Alban Achinte, Ramón Grosfoguel and Nelson Maldonado-Torres as well as Memory Studies. Finally, relationships are found between Questions (2021) and Poéticas populares (2016-2021) and their reverberation with the urban territory. |
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