Epistemology and autonomy in Hanslick’s concept of musical ideas
This work addresses the aesthetic philosophy of Eduard Hanslick in order to demarcate it as an epistemological approach to music and a paradigmatic case for musical autonomy. The epistemological assumptions that guided the work On the Musically Beautiful and its most likely influences were analyzed....
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade Estadual Paulista (UNESP) |
| Repositorio: | Trans/Form/Ação (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.www2.marilia.unesp.br:article/15007 |
| Acceso en línea: | https://revistas.marilia.unesp.br/index.php/transformacao/article/view/15007 |
| Access Level: | acceso abierto |
| Palabra clave: | Musical Autonomy Epistemology Musical Idea Eduard Hanslick Immanuel Kant Autonomia musical epistemologia ideia musical |
| Sumario: | This work addresses the aesthetic philosophy of Eduard Hanslick in order to demarcate it as an epistemological approach to music and a paradigmatic case for musical autonomy. The epistemological assumptions that guided the work On the Musically Beautiful and its most likely influences were analyzed. We conclude by presenting musical idea as an epistemological formulation strongly influenced by positivism and as a qualifying principle of autonomous musical perception. We add to this conclusion a disambiguation with Kant's concept of aesthetic idea. |
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