Vidas submersas - o entre atos de olhares: Alejandro Jodorowsky e sua obra multimídia
This work is the reflective writing developed from the relations of the various aesthetic-political elements present in the images created by Alejandro Jodorowsky, in Melodrama Sacramental (1965), Santa Sangre (1989) and Las tres viejas (2003). Each artistic work, and its language specificities (the...
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| Formato: | tesis de maestría |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Brasil |
| Recursos: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Repositório Institucional da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/LETR-AMAHUW |
| Acesso em linha: | http://hdl.handle.net/1843/LETR-AMAHUW |
| Access Level: | acceso abierto |
| Palavra-chave: | ações cênicas imagens cinema Alejandro Jodorowsky teatro Teatro chileno História e crítica Cinema e literatura Jodorowsky, Alejandro , 1929 Crítica e interpretação |
| Resumo: | This work is the reflective writing developed from the relations of the various aesthetic-political elements present in the images created by Alejandro Jodorowsky, in Melodrama Sacramental (1965), Santa Sangre (1989) and Las tres viejas (2003). Each artistic work, and its language specificities (theatrical event, audio visual / cinema and dramatic text), configure fictional realities that, in this work, are analyzed from concepts such as dialectical images (DIDI-HUBERMAN, 1998), sharing the sensitive (RANCIÈRE, 2005), emancipated spectator (RANCIÉRE, 2012), society of the spectacle (DEBORD, 1997) and will also use concepts of the Alejandro Jodorowsky. Keywords: images, Alejandro Jodorowsky, scenic actions, cinema, theater. |
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