Anjos no cinema: na perspectiva dos estudos de comunicação e semiótica
This research aimed to understand which relationships and possible contributions, arising from the study of angelology, to the technological-scientific thinking in the area of communication and semiotics, media events from Angel's character in the movies. Conjectured that the figure of the Ange...
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| Formato: | tesis de maestría |
| Estado: | Versión publicada |
| Fecha de publicación: | 2013 |
| País: | Brasil |
| Recursos: | Pontifícia Universidade Católica de São Paulo (PUC-SP) |
| Repositorio: | Repositório Institucional da PUC_SP |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.pucsp.br:handle/4574 |
| Acesso em linha: | https://tede2.pucsp.br/handle/handle/4574 |
| Access Level: | acceso abierto |
| Palavra-chave: | Anjo Angelologia Personagem judaico-cristão Cinema Semiótica Angel Angelology Character Judeo-Christian CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
| Resumo: | This research aimed to understand which relationships and possible contributions, arising from the study of angelology, to the technological-scientific thinking in the area of communication and semiotics, media events from Angel's character in the movies. Conjectured that the figure of the Angel addressed within the study of angelology had relations and fundamental contributions to the field of communication, both similar in character, from the perspective of reasoning character "messenger", as well as persuasive element within the manifestations media in film, considering his character and religious mythological-archetypal followed by their relevance as semiotic sign, in particular, has also sought to understand the figure of the Angel from the studies of angelology (pseudoscience proposed within the study of religion, theology and philosophy, addressed in particular by the authors Arturo Blanco and Charles Ryrie and Judeo-Christian literature with reference to the Bible) and its categorization within the sciences, briefly adding their spheres of analysis within the cradle of these (philosophy) and the study of religion (theology), and to analyze in a descriptive interpretation based on comparative argument twenty-five films that include the character Angel (Western filmographies dated in the period between the late twentieth and early twenty-first century) generating categories of "types "recurring characters archetypally (theoretical guided especially Carl Jung and Christopher Vogler), He has helped the findings on concepts of communication theory that made use of the Angel as a metaphor for its phenomena, in particular by the authors' Michel Serres and Walter Benjamin and issues arising from modeling and translatability studies Semiotics of Culture, with its exponent, Iury Lotman. The theoretical-methodological procedure took around concepts based on media publications and media holders (motion pictures), proposed in descriptive, analytical and interpretive, generating a basic qualitative research. The work shows is important considering that the area of communication has proved lacking in research that promote interaction between scientific and technological studies pseudoscience, such as the angelology. How conclusive elements, brings desmitificam notes that the idealization of common sense Angel necessarily be basic Judeo-Christian film, permeated with new specificities and attributes that only introduces narativa well as attentive to the unfounded idea that characters Angels the fantastic genre, are recurring in film, thus leaving open the reflection of the possible contributions that digital technologies within the communication can provide for amplification, and dissemination "materialization" of the universe and its angelological signs, making use of the seventh art |
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