Towards a Critical Ontology of the Imaginary

The aim of this paper is to introduce the general idea of a critical ontology of the imaginary as an inheritance and a critical appropriation of Michel Foucault’s work. We will begin with what Foucault had to say explicitly about image, imagination and imaginary in his frist published text, an intro...

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Detalles Bibliográficos
Autor: Souza, Victor Galdino Alves de
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2019
País:Brasil
Institución:Universidade de Brasília (UnB)
Repositorio:Revista de Filosofia Moderna e Contemporânea
Idioma:portugués
OAI Identifier:oai:ojs.pkp.sfu.ca:article/23140
Acceso en línea:https://periodicos.unb.br/index.php/fmc/article/view/23140
Access Level:acceso abierto
Palabra clave:Identidade. Imagem. Imaginação. Imaginário Social. Poder.
Identity. Image. Imagination. Social Imaginary. Power.
Descripción
Sumario:The aim of this paper is to introduce the general idea of a critical ontology of the imaginary as an inheritance and a critical appropriation of Michel Foucault’s work. We will begin with what Foucault had to say explicitly about image, imagination and imaginary in his frist published text, an introduction to the French translation of Ludwig Binswanger’s Traum und Existenz. After that, the concept of a partition of the imaginary ”“ inspired by Jacques Rancière’s work ”“ will be introduced to define what in the order of the imaginary demands a critical ontology in Foucauldian terms and what are the most general features of this kind of order. Concepts developed by other authors will also be used to define the ethical and political issues that emerge from the social organization of the imaginary. At last, we will see how a critical encounter can take place between the theses presented in Foucault’s introductory essay, the concerns that characterize the ethical dimension of his work in general and the issues regarding the government of the imaginary in our society.