As pesquisas históricas na interpretação de Chopin
The researches on historically informed performance were, at first, focused on seventeenth- and eighteenth- century works; hence they brought new thoughts on traditional analytical procedures, and also stimulated new performances of these styles. However, instead of pointing unambiguous and precise...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2015 |
| País: | Brasil |
| Institución: | Universidade Estadual Paulista (UNESP) |
| Repositorio: | Repositório Institucional da UNESP |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.unesp.br:11449/167788 |
| Acceso en línea: | http://dx.doi.org/10.1590/permusi2015a3110 http://hdl.handle.net/11449/167788 |
| Access Level: | acceso abierto |
| Palabra clave: | Contemporary piano performance Editorial procedures in frédéric chopin Romanticism’s historical informed performance |
| Sumario: | The researches on historically informed performance were, at first, focused on seventeenth- and eighteenth- century works; hence they brought new thoughts on traditional analytical procedures, and also stimulated new performances of these styles. However, instead of pointing unambiguous and precise results, such studies have multiplied the possibilities of musical interpretation. The researches on these subjects have reached, little by little, to the domains of other musical styles. In this article, we shall deal with some performance issues brought by the number of music editions on Frédéric Chopin (1810-1849). The unrestricted access to the first editions at internet, altogether with the possibilities brought by historical approaches have expanded the established guidelines for his music and have brought more flexibility to some topics of their performance practice, such as phrase structuring, touches, tone, fingering, pedaling, rubati and ornamentations. |
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