Tikmũ’ũn’s caterpillar-cinema: practice-theory of shamanic images
In this article, I approach the films Tatakox (2007); Tatakox Vila Nova (2009) and Kakxop pit hãmkoxuk xop te yũmũgãhã (Initiation of the sons of the earth spirits, 2015), directed by tikmũ’ũn collectives, trying to identify in this works, precarious traces of a “multiple shamanism”. I intent to thi...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Intexto (Porto Alegre) |
| Idioma: | portugués |
| OAI Identifier: | oai:seer.ufrgs.br:article/92960 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/intexto/article/view/92960 |
| Access Level: | acceso abierto |
| Palabra clave: | Tatakox. Tikmũ’ũn. Xamanismo. Filme-ritual. Tatakox. Tikmũ’ũn. Shamanism. Ritual-film. |
| Sumario: | In this article, I approach the films Tatakox (2007); Tatakox Vila Nova (2009) and Kakxop pit hãmkoxuk xop te yũmũgãhã (Initiation of the sons of the earth spirits, 2015), directed by tikmũ’ũn collectives, trying to identify in this works, precarious traces of a “multiple shamanism”. I intent to think the encounter between cinema – a technology of ĩnmõxa – and the Caterpillar spirit-people (tatakox), who with their aerophones, punch their skin, opening passages through it. |
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