About flowers and cannons: protest songs in popular music festivals
The present article discusses some protest songs performed at the “Popular Music Festivals” held between 1965-1969 aiming to understand their role in the social and political context of that era. Based in a phenomenological and dialectic approach, analysis of videos and audio from performances of th...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2014 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Per Musi |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/39703 |
| Acceso en línea: | https://periodicos.ufmg.br/index.php/permusi/article/view/39703 |
| Access Level: | acceso abierto |
| Palabra clave: | Brazilian popular music festivals Protest songs Cultural history Phenomenology of music Brazilian popular music Festivais de música popular brasileira Canções de protesto História da cultura Fenomenologia da música Música Popular Brasileira Festivales de música popular brasileña Canciones de protesta Historia de la cultura Fenomenología de la música Música popular brasileña |
| Sumario: | The present article discusses some protest songs performed at the “Popular Music Festivals” held between 1965-1969 aiming to understand their role in the social and political context of that era. Based in a phenomenological and dialectic approach, analysis of videos and audio from performances of the selected songs were made, in a Cultural History perspective. Thus, the authors’ reception of the recordings of that period was privileged. We can conclude that there are some convergences between the characteristics of the analyzed songs and also that they functioned as a means of questioning the political situation in a veiled way. |
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