Incomprehensibility and Hope
This text was written by the Italian director, based in Denmark, Eugenio Barba, as an introduction to the latest recent spectacle of his theatre company, Odin Teatret. He discusses the role of theatre spectacles and the problem of communication and decoding of spectacles as living experience. The di...
| Autor: | |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Brasileira de Estudos da Presença |
| Idioma: | portugués |
| OAI Identifier: | oai:seer.ufrgs.br:article/25710 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/presenca/article/view/25710 |
| Access Level: | acceso abierto |
| Palabra clave: | Teatro Espetáculo Eugenio Barba Odin Teatret A Vida Crônica Théâtre Spectacle La Vie Chronique Theatre The Chronic Life |
| Sumario: | This text was written by the Italian director, based in Denmark, Eugenio Barba, as an introduction to the latest recent spectacle of his theatre company, Odin Teatret. He discusses the role of theatre spectacles and the problem of communication and decoding of spectacles as living experience. The director presents his aesthetic intentions and expectations regarding the spectacle’s reception. |
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