Tarantino, Deleuze, Baudrillard, tomatoes
The polysemy joke told by Mia to Vincent in Pulp Fiction tells the saga of a small baby tomato: to be urged by the paternal order to accompany the step, it is hit and becomes juice. The tomato that turned juice. The diégesis, however, is not contained within the limit of its filmic framing and, as m...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2008 |
| País: | Brasil |
| Institución: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repositorio: | Revista FAMECOS: Mídia cultura e tecnologia |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/2952 |
| Acceso en línea: | https://revistaseletronicas.pucrs.br/revistafamecos/article/view/2952 |
| Access Level: | acceso abierto |
| Palabra clave: | Communication cinema Quentin Tarantino Cinema Comunicação |
| Sumario: | The polysemy joke told by Mia to Vincent in Pulp Fiction tells the saga of a small baby tomato: to be urged by the paternal order to accompany the step, it is hit and becomes juice. The tomato that turned juice. The diégesis, however, is not contained within the limit of its filmic framing and, as metaphor, reaches the spectator. Keeping the step with the succession of the Tarantino frames is to turn juice into each sequence. |
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