Machiavelli e Castiglione: reflexos do Speculum Princeps no apogeu do renascimento

The present research seeks to investigate the disparity reasons that comes out between Il Principe, of Niccolò Machiavelli, and the Book Fourth by Il Cortegiano, of Baldassare Castiglione, which is about the indicated behavior for the governing class that is looking for possession and power exercise...

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Detalles Bibliográficos
Autor: Santos, Daniel William da Silva
Tipo de recurso: tesis de maestría
Estado:Versión publicada
Fecha de publicación:2009
País:Brasil
Institución:Pontifícia Universidade Católica de São Paulo (PUC-SP)
Repositorio:Repositório Institucional da PUC_SP
Idioma:portugués
OAI Identifier:oai:repositorio.pucsp.br:handle/11823
Acceso en línea:https://tede2.pucsp.br/handle/handle/11823
Access Level:acceso abierto
Palabra clave:Filosofia política
Renascimento
Machiavelli, Niccolo -- 1469-1527 -- Critica e interpretacao
Castiglione, Baldassare, conte -- 1478-1529 -- Critica e interpretacao
Ciencia e politica -- Filosofia
Renascenca
Political philosophy
Renaissance
CNPQ::CIENCIAS HUMANAS::FILOSOFIA
Descripción
Sumario:The present research seeks to investigate the disparity reasons that comes out between Il Principe, of Niccolò Machiavelli, and the Book Fourth by Il Cortegiano, of Baldassare Castiglione, which is about the indicated behavior for the governing class that is looking for possession and power exercise; a fact that put such books inside the same literature genres Speculum Princeps. This kind of genre also constitute a object of study through which it s possible to point out the reasons why, even having a common origin, the referred books end different perspectives for giving advices to the governing class. So, this distinction seems to be based on the different interpretations of theoretical elements among those that articulate in Speculum Princeps genre since The Old Age. Therefore, as this research intends to point out, what is created among the thoughts expressed by Machiavelli and Castiglione isn t a rupture, as its particularities would suggest, but a tension, due to the confront that these works allow to see certain contiguity