Escrever sob o fascínio da imagem – ressonâncias entre o pensamento de Maurice Blanchot e Georges Didi-Huberman

The article problematizes the concept of image from the thinking of Maurice Blanchot and Georges Didi-Huberman. Exploring especially the concepts of duplicity of the image in Blanchot and double distance of the look in Didi-Huberman, it is intended to compose a starting plan that will allow to verif...

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Detalles Bibliográficos
Autores: Hack, Lilian, da Silva, Édio Raniere
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2017
País:Brasil
Institución:Universidade Federal de Goiás (UFG)
Repositorio:Visualidades (Online)
Idioma:portugués
OAI Identifier:oai:ojs.revistas.ufg.br:article/48066
Acceso en línea:https://revistas.ufg.br/VISUAL/article/view/48066
Access Level:acceso abierto
Palabra clave:Blanchot. Didi-Huberman. Imagem.
Descripción
Sumario:The article problematizes the concept of image from the thinking of Maurice Blanchot and Georges Didi-Huberman. Exploring especially the concepts of duplicity of the image in Blanchot and double distance of the look in Didi-Huberman, it is intended to compose a starting plan that will allow to verify the points in which one converges in these authors a way of operating the thought about art in its relation to the image. In this game subject and object are thrown into an instability, a movement in which the subject undoes himself by the image, he discards himself in the encounter with a work. Moment when the image asks for the word and where the language becomes the place from which we can approach it.    

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