The interpretation of electroacoustic music: technical aspects
This article aims to discuss the role of the electroacoustic music interpreter from a technical point of view, listing and qualifying the instruments necessary for the capture, treatment and diffusion of sound objects. For this, we mapped the path taken by the audio signal (which can be of an acoust...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2020 |
| País: | Brasil |
| Recursos: | Universidade Estadual Paulista (UNESP) |
| Repositório: | Repositório Institucional da UNESP |
| Idioma: | português |
| OAI Identifier: | oai:repositorio.unesp.br:11449/209163 |
| Acesso em linha: | http://hdl.handle.net/11449/209163 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Electroacoustic Music Music Interpretation Music Production |
| Resumo: | This article aims to discuss the role of the electroacoustic music interpreter from a technical point of view, listing and qualifying the instruments necessary for the capture, treatment and diffusion of sound objects. For this, we mapped the path taken by the audio signal (which can be of an acoustic, electrical, electronic or digital nature) during a live-electronics concert situation, discussing about hypothetical situations and the choices involved in the interpretation. |
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