Parodic construction by aphasic people: senses and performative resignification of “Negrinho do Pastoreio”
This article presents a performative theatrical creation process with aphasic actuators who are participants from the Center for the Coexistence of Aphasics IEL/UNICAMP. The objective was to verify how intersemiotic processes occur during the creative journey and to observe the emergence of multimod...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Estadual de Campinas (UNICAMP) |
| Repositorio: | Conceição/Conception |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.periodicos.sbu.unicamp.br:article/8661037 |
| Acceso en línea: | https://periodicos.sbu.unicamp.br/ojs/index.php/conce/article/view/8661037 |
| Access Level: | acceso abierto |
| Palabra clave: | Performatividad Multimodalidad Afasia Performativity Multimodality Aphasia Performatividade Multimodalidade |
| Sumario: | This article presents a performative theatrical creation process with aphasic actuators who are participants from the Center for the Coexistence of Aphasics IEL/UNICAMP. The objective was to verify how intersemiotic processes occur during the creative journey and to observe the emergence of multimodal co - corrident semiosis resulting from the performative pathway itself. The emergence of co-occurring semiosis manifests itself in the expressive, theatrical and performative practices of the aphasic actuators during the theatrical action. |
|---|